38. INT. FRANKIE’S YACHT – MAIN CABIN – NIGHT
FRANKIE and KAY are each holding a cup of coffee.
KAY
It’s a beautiful boat, Frankie.
FRANKIE
Remember me when I was pushing a rack through the snow on 28th Street?
KAY
I remember many things, Frankie.
FRANKIE
I’d like to get you to forget some of them. Listen, Kay, I was a punk without a subway token. It couldn’t have gone anywhere with us. It’s different now.
KAY
What are you talking about?
FRANKIE
I’m talking about us.
KAY
Us. There’s no us. There’s you and there’s me. There’s no us.
FRANKIE
That’s not true. There is something between us, Kay. It may not have been right in New York, but there were things happening between us always. You can’t deny that.
KAY
Well, you’re not exactly the kind of man any woman would call a passing fancy. There’s nothing happening between us. Now any more than before.
FRANKIE
It was the Princess and the Pauper then. I didn’t have anything to offer you. But now it’s different.
He starts to kiss her but she pulls away.
KAY
Don’t con me, Frankie. Offer me? What were you ever going to offer me? The chance to fight you off every time we got together? Oh, fine, now you’ve got the yacht and you’ve got cars, they save the best table for you at the best restaurants. So what? You haven’t changed. It’s that seed of rot inside of you which makes you what you are. That you can’t change. You just dress it better.
FRANKIE
Now I get it. I think I understand. Maybe it’s that thing inside me, that rot, that evil you think you see. Maybe that’s what turns you on.
KAY
(angrily)
Take me home, Frankie.
FRANKIE
You slapped my face the first time I made a pass at you, but you got me a job that kept me near you. Every time I tried to get close you pushed me away, but not too far. Oh, that middle-European peasant upbringing of yours, baby. They told you so often that playing house with a guy was dirty, you got all knotted up inside. But you like to play. So you can’t get turned on by a guy who treats you nice, a schlep like the one you were out with tonight. But a guy who wipes his feet on ya, that you dig.
KAY
Shut up. You just want me because I won’t let you use me like all the others, because I’m not like all the others. You represent everything I loath, Frankie.
FRANKIE
You mean everything you love.
KAY
Take me home. Take me home! Right away.
She leaves and Frankie follows.

39. EXT. MARINA– NIGHT
KAY gets off the boat and hurries to the car, anxious to leave. Frankie slowly follows.