Listed below are the Academy Award nominations and winners for the year 2003. The
symbol appears next to the winner in each category. Click on the name of a film, person or song in the list to display more information about that film, person or song. Or, click on a year in the column on the right to display the nominations and winners from that year.
Lost in Translation, American Zoetrope/Elemental Films Production; Focus Features. (USA, Japan)
Ross Katz and
Sofia Coppola, Producers.
Master and Commander: The Far Side of the World, 20th Century Fox and Universal Pictures and Miramax Films Production; 20th Century Fox.
Samuel Goldwyn, Jr.,
Peter Weir and
Duncan Henderson, Producers.
Mystic River, Warner Bros. Pictures Production; Warner Bros. (USA, Australia)
Robert Lorenz,
Judie G. Hoyt and
Clint Eastwood, Producers.
Seabiscuit, Universal Pictures, DreamWorks Pictures, Spyglass Entertainment Production; Universal/DreamWorks/Spyglass.
Kathleen Kennedy,
Frank Marshall and
Gary Ross, Producers.
Ben Kingsley in
House of Sand and Fog, Michael London Production; DreamWorks in association with Cobalt Media Group.
Jude Law in
Cold Mountain, Mirage Enterprises/Bona Fide Production; Miramax. (UK, Italy, Romania, USA)
Bill Murray in
Lost in Translation, American Zoetrope/Elemental Films Production; Focus Features. (USA, Japan)
Sean Penn in
Mystic River, Warner Bros. Pictures Production; Warner Bros. (USA, Australia)
Keisha Castle-Hughes in
Whale Rider, South Pacific Pictures Production; Newmarket Films. (New Zealand, Germany)
Diane Keaton in
Something’s Gotta Give, Columbia Pictures and Warner Bros. Pictures Production; Sony Pictures Releasing.
Samantha Morton in
In America, Hell’s Kitchen Production; Fox Searchlight/20th Century Fox. (Ireland, UK, USA)
Charlize Theron in
Monster, MDP Film Productions and Zodiac Production; Newmarket Films. (Germany, USA)
Naomi Watts in
21 Grams, This is That, Y Productions Production; Focus Features.
Alec Baldwin in
The Cooler, Cooler LLC Production; Lions Gate Films.
Benicio Del Toro in
21 Grams, This is That, Y Productions Production; Focus Features.
Djimon Hounsou in
In America, Hell’s Kitchen Production; Fox Searchlight/20th Century Fox. (Ireland, UK, USA)
Tim Robbins in
Mystic River, Warner Bros. Pictures Production; Warner Bros. (USA, Australia)
Ken Watanabe in
The Last Samurai, Samurai Pictures, LLC Production; Warner Bros. (USA, New Zealand, Japan)
Shohreh Aghdashloo in
House of Sand and Fog, Michael London Production; DreamWorks in association with Cobalt Media Group.
Patricia Clarkson in
Pieces of April, IFC Productions through United Artists Films Inc. Production; United Artists through MGM.
Marcia Gay Harden in
Mystic River, Warner Bros. Pictures Production; Warner Bros. (USA, Australia)
Holly Hunter in
Thirteen, Michael London Productions, Working Title Films, Antidote Films Production; Fox Searchlight/20th Century Fox. (USA, UK)
Renée Zellweger in
Cold Mountain, Mirage Enterprises/Bona Fide Production; Miramax. (UK, Italy, Romania, USA)
City of God, O2 Filmes and VideoFilmes Production, Co-Production Globo Filmes, Lumiere, StudioCanal and Wild Bunch; Miramax. (Brazil, France, Germany)
Fernando Meirelles.
The Lord of the Rings: The Return of the King, Wingnut Films Production; New Line. (New Zealand, USA)
Peter Jackson.
Lost in Translation, American Zoetrope/Elemental Films Production; Focus Features. (USA, Japan)
Sofia Coppola.
Master and Commander: The Far Side of the World, 20th Century Fox and Universal Pictures and Miramax Films Production; 20th Century Fox.
Peter Weir.
Mystic River, Warner Bros. Pictures Production; Warner Bros. (USA, Australia)
Clint Eastwood.
Brother Bear, Walt Disney Pictures Production; Buena Vista.
Aaron Blaise and
Robert Walker.
Finding Nemo, Pixar Animation Studios Production; Buena Vista. (USA, Australia)
Andrew Stanton.
The Triplets of Belleville, Les Armateurs Production; Sony Pictures Classics. (France, Belgium, Canada, UK, Latvia, USA)
Sylvain Chomet.
Girl with a Pearl Earring, Archer Street Ltd. 2003 Production; Lions Gate Films. (UK, Luxembourg) Art direction by
Ben Van Os; set decoration by
Cecile Heideman.
The Last Samurai, Samurai Pictures, LLC Production; Warner Bros. (USA, New Zealand, Japan) Art direction by
Lilly Kilvert; set decoration by
Gretchen Rau.
The Lord of the Rings: The Return of the King, Wingnut Films Production; New Line. (New Zealand, USA) Art direction by
Grant Major; set decoration by
Dan Hennah and
Alan Lee.
Master and Commander: The Far Side of the World, 20th Century Fox and Universal Pictures and Miramax Films Production; 20th Century Fox. Art direction by
William Sandell; set decoration by
Robert Gould.
Seabiscuit, Universal Pictures, DreamWorks Pictures, Spyglass Entertainment Production; Universal/DreamWorks/Spyglass. Art direction by
Jeannine Oppewall; set decoration by
Leslie Pope.
City of God, O2 Filmes and VideoFilmes Production, Co-Production Globo Filmes, Lumiere, StudioCanal and Wild Bunch; Miramax. (Brazil, France, Germany)
Cesar Charlone.
Cold Mountain, Mirage Enterprises/Bona Fide Production; Miramax. (UK, Italy, Romania, USA)
John Seale.
Girl with a Pearl Earring, Archer Street Ltd. 2003 Production; Lions Gate Films. (UK, Luxembourg)
Eduardo Serra.
Master and Commander: The Far Side of the World, 20th Century Fox and Universal Pictures and Miramax Films Production; 20th Century Fox.
Russell Boyd.
Seabiscuit, Universal Pictures, DreamWorks Pictures, Spyglass Entertainment Production; Universal/DreamWorks/Spyglass.
John Schwartzman.
Girl with a Pearl Earring, Archer Street Ltd. 2003 Production; Lions Gate Films. (UK, Luxembourg)
Dien van Straalen.
The Last Samurai, Samurai Pictures, LLC Production; Warner Bros. (USA, New Zealand, Japan)
Ngila Dickson.
Master and Commander: The Far Side of the World, 20th Century Fox and Universal Pictures and Miramax Films Production; 20th Century Fox.
Wendy Stites.
Seabiscuit, Universal Pictures, DreamWorks Pictures, Spyglass Entertainment Production; Universal/DreamWorks/Spyglass.
Judianna Makovsky.
(Feature)
Balseros, Bausan Films S.L. Production; Seventh Art. (Spain)
Carlos Bosch and
Josep Maria Domenech.
Capturing the Friedmans, Hit the Ground Running Production; Magnolia Pictures.
Andrew Jarecki and
Marc Smerling.
The Fog of War, Globe Department Store Production; Sony Pictures Classics.
Errol Morris and
Michael Williams.
My Architect, Louis Kahn Project, Inc. Production; New Yorker Films.
Nathaniel Kahn and
Susan R. Behr.
The Weather Underground, Free History Project Production; Shadow Distribution.
Sam Green and
Bill Siegel.
(Short Subject)
Asylum, Constant Communication & Make-do Production.
Sandy McLeod and
Gini Reticker.
Chernobyl Heart, Downtown TV Documentaries Production.
Maryann DeLeo.
Ferry Tales, Penelope Pictures Production.
Katja Esson.
City of God, O2 Filmes and VideoFilmes Production, Co-Production Globo Filmes, Lumiere, StudioCanal and Wild Bunch; Miramax. (Brazil, France, Germany)
Daniel Rezende.
Cold Mountain, Mirage Enterprises/Bona Fide Production; Miramax. (UK, Italy, Romania, USA)
Walter Murch.
The Lord of the Rings: The Return of the King, Wingnut Films Production; New Line. (New Zealand, USA)
Jamie Selkirk.
Master and Commander: The Far Side of the World, 20th Century Fox and Universal Pictures and Miramax Films Production; 20th Century Fox.
Lee Smith.
Seabiscuit, Universal Pictures, DreamWorks Pictures, Spyglass Entertainment Production; Universal/DreamWorks/Spyglass.
William Goldenberg.
The Barbarian Invasions, Cinémaginaire Inc. Production; Miramax. (Canada, France) Canada.
Evil, Moviola Film & Television Production. (Sweden, Denmark) Sweden.
The Twilight Samurai, Shochiku/Nippon Television Network/Sumitomo/Hakuhodo/Nippon Shuppan Hanbai/Eisei Gekijo Production; Empire Pictures. (Japan) Japan.
Twin Sisters, IdtV Film Production; Miramax. (Netherlands, Luxembourg) The Netherlands.
Želary, Total HelpArt T.H.A./Barrandov Studio Production; Sony Pictures Classics. (Czech Republic, Slovakia, Austria) Czech Republic.
Master and Commander: The Far Side of the World, 20th Century Fox and Universal Pictures and Miramax Films Production; 20th Century Fox.
Edouard Henriques III and
Yolanda Toussieng.
(Original Score)
Big Fish, Columbia Pictures Production; Sony Pictures Releasing.
Danny Elfman.
Cold Mountain, Mirage Enterprises/Bona Fide Production; Miramax. (UK, Italy, Romania, USA)
Gabriel Yared.
Finding Nemo, Pixar Animation Studios Production; Buena Vista. (USA, Australia)
Thomas Newman.
House of Sand and Fog, Michael London Production; DreamWorks in association with Cobalt Media Group.
James Horner.
The Lord of the Rings: The Return of the King, Wingnut Films Production; New Line. (New Zealand, USA)
Howard Shore.
(Original Song)
Belleville Rendez-Vous from
The Triplets of Belleville, Les Armateurs Production; Sony Pictures Classics. (France, Belgium, Canada, UK, Latvia, USA) Music by
Benoit Charest; lyric by
Sylvain Chomet.
A Kiss at the End of the Rainbow from
A Mighty Wind, Castle Rock Entertainment Production; Warner Bros. Music and lyric by
Michael McKean and
Annette O’Toole.
Scarlet Tide from
Cold Mountain, Mirage Enterprises/Bona Fide Production; Miramax. (UK, Italy, Romania, USA) Music and lyric by
T Bone Burnett and
Elvis Costello.
You Will Be My Ain True Love from
Cold Mountain, Mirage Enterprises/Bona Fide Production; Miramax. (UK, Italy, Romania, USA) Music and lyric by
Sting.
(Animated)
Boundin’, Pixar Animation Studios Production.
Bud Luckey.
Destino, Walt Disney Pictures Production; Buena Vista. (France, USA)
Dominique Monfery and
Roy Edward Disney.
Gone Nutty, Blue Sky Studios Production; 20th Century Fox.
Carlos Saldanha and
John C. Donkin.
Harvie Krumpet, Melodrama Pictures Production. (Australia)
Adam Elliot.
Nibbles, Acme Filmworks Production. (Canada)
Chris Hinton.
(Live Action)
Die rote Jacke (The Red Jacket), Hamburger Filmwerkstatt Production. (Germany)
Florian Baxmeyer.
Most (The Bridge), Eastwind Films Production. (USA, Czech Republic)
Bobby Garabedian and
William Zabka.
Squash, Tetramedia Production. (France)
Lionel Bailliu.
Two Soldiers, Shoe Clerk Picture Company Production.
Aaron Schneider and
Andrew J. Sacks.
Finding Nemo, Pixar Animation Studios Production; Buena Vista. (USA, Australia)
Gary Rydstrom and
Michael Silvers.
Master and Commander: The Far Side of the World, 20th Century Fox and Universal Pictures and Miramax Films Production; 20th Century Fox.
Richard King.
The Last Samurai, Samurai Pictures, LLC Production; Warner Bros. (USA, New Zealand, Japan)
Andy Nelson,
Anna Behlmer and
Jeff Wexler.
Master and Commander: The Far Side of the World, 20th Century Fox and Universal Pictures and Miramax Films Production; 20th Century Fox.
Paul Massey,
D. M. Hemphill and
Arthur Rochester.
Seabiscuit, Universal Pictures, DreamWorks Pictures, Spyglass Entertainment Production; Universal/DreamWorks/Spyglass.
Andy Nelson,
Anna Behlmer and
Tod A. Maitland.
(Adapted Screenplay)
American Splendor, Good Machine Production; HBO Films in association with Fine Line Features. Written by
Robert Pulcini &
Shari Springer Berman.
City of God, O2 Filmes and VideoFilmes Production, Co-Production Globo Filmes, Lumiere, StudioCanal and Wild Bunch; Miramax. (Brazil, France, Germany) Screenplay by
Braulio Mantovani.
Mystic River, Warner Bros. Pictures Production; Warner Bros. (USA, Australia) Screenplay by
Brian Helgeland.
Seabiscuit, Universal Pictures, DreamWorks Pictures, Spyglass Entertainment Production; Universal/DreamWorks/Spyglass. Written for the screen by
Gary Ross.
(Original Screenplay)
The Barbarian Invasions, Cinémaginaire Inc. Production; Miramax. (Canada, France) Written by
Denys Arcand.
Dirty Pretty Things, Celador Films Production; Miramax and BBC Films. (UK) Written by
Steven Knight.
Finding Nemo, Pixar Animation Studios Production; Buena Vista. (USA, Australia) Screenplay by
Andrew Stanton,
Bob Peterson, and
David Reynolds; original story by
Andrew Stanton.
In America, Hell’s Kitchen Production; Fox Searchlight/20th Century Fox. (Ireland, UK, USA) Written by
Jim Sheridan &
Naomi Sheridan &
Kirsten Sheridan.
Lost in Translation, American Zoetrope/Elemental Films Production; Focus Features. (USA, Japan) Written by
Sofia Coppola.

To
Blake Edwards in recognition of his writing, directing and producing an extraordinary body of work for the screen. [ [Statuette]]

To
Douglas Greenfield in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. [ [John A. Bonner Medal of Commendation]]
NOTE: The Gordon E. Sawyer Award was presented at the Scientific and Technical Awards ceremony on February 14, 2004, in the Ballroom of the Ritz-Carlton Huntington Hotel.
(Academy Award of Merit)

To
Digidesign for the design, development and implementation of the Pro Tools digital audio workstation.
The efficient algorithms, extensible architecture and intuitive interface have enabled Pro Tools to become the worldwide standard for the creation and editing of motion picture soundtracks.

To
Bill Tondreau of Kuper Controls for his significant advancements in the field of motion control technology for motion picture visual effects.
Measuring his valuable contributions to the invention and implementation of robotic camera systems in decades rather than years, his efforts have aided motion control in becoming a core technology that has supported the renaissance of visual effects.
(Scientific and Engineering Award)

To
Kinoton GmbH for the engineering and development of the Kinoton FP 30/38 EC II Studio Projector.
This high-speed studio projector produces an image quality equal to projectors with Geneva movements. With its unparalleled shuttle speed, reversibility and acceleration, this projector has set a new standard for post-production viewing as well as in traditional screening facilities.

To
Kenneth L. Tingler,
Charles C. Anderson,
Diane E. Kestner and
Brian A. Schell of the Eastman Kodak Company for the successful development of a process-surviving antistatic layer technology for motion picture film.
This technology successfully controls the static buildup on processed intermediate and sound negative films during high speed printing operations.

To
Christopher Alfred,
Andrew J. Cannon,
Michael C. Carlos,
Mark Crabtree,
Chuck Grindstaff and
John Melanson for their significant contributions to the evolution of digital audio editing for motion picture post production.
Through their respective pioneering efforts with AMS AudioFile, Waveframe and Fairlight, the work of these gentlemen contributed significantly to the development and realization of digital audio workstations with full editing capabilities for motion picture soundtracks.

To
Stephen Regelous for the design and development of Massive, the autonomous agent animation system used for the battle sequences in
The Lord of the Rings trilogy.
Massive takes a new approach in simulating behaviors of large numbers of computer-generated extras a.k.a. “agents.” Each “agent” contains a primitive software “brain” used to develop behavioral rules simulating a wide range of behaviors. In The Lord of the Rings trilogy, over 200,000 agents were controlled in several scenes.
(Technical Achievement Award)

To
Kish Sadhvani for the concept and optical design,
Paul Duclos for the practical realization and production engineering and
Carl Pernicone for the mechanical design and engineering of the portable cine viewfinder system known as the Ultimate Director’s Finder (UDF).
This versatile, modular and widely accepted cine viewfinder system is capable of properly displaying images in multiple formats ranging from 35mm anamorphic to super 16.

To
Henrik Wann Jensen,
Stephen R. Marschner and
Pat Hanrahan for their pioneering research in simulating subsurface scattering of light in translucent materials as presented in their paper “A Practical Model for Subsurface Light Transport.”
This mathematical model contributed substantially to the development and implementation of practical techniques for simulating subsurface scattering of light in translucent materials for computer-generated images in motion pictures.

To
Christophe Hery,
Ken McGaugh and
Joe Letteri for their groundbreaking implementations of practical methods for rendering skin and other translucent materials using subsurface scattering techniques.
These groundbreaking techniques were used to create realistic-looking skin on digitally created characters.
NOTE: The Scientific and Technical Awards were presented at their own ceremony on February 14, 2004, in the Ballroom of the Ritz-Carlton Huntington Hotel.