Listed below are the Academy Award winners for the year 2012 (non-winning nominations have been omitted from this list). Click on the name of a film, person or song in the list to display more information about that film, person or song Or, click on a year in the column on the right to display the winners from that year.
Argo, Stage 16 Pictures Production; Warner Bros. (USA, UK)
Grant Heslov,
Ben Affleck and
George Clooney, Producers.
Daniel Day-Lewis in
Lincoln, DreamWorks Pictures/20th Century Fox Production; Walt Disney/20th Century Fox. (USA, India)
Jennifer Lawrence in
Silver Linings Playbook, Weinstein Company Production; The Weinstein Company.
Christoph Waltz in
Django Unchained, Weinstein Company and Columbia Pictures Production; The Weinstein Company.
Anne Hathaway in
Les Misérables, Universal Pictures and Working Title Production; Universal. (UK, USA)
Life of Pi, Fox 2000 Pictures Production; 20th Century Fox. (USA, Taiwan, UK, Canada)
Ang Lee.
Brave, Pixar Animation Studios Production; Walt Disney. (USA, UK)
Mark Andrews and
Brenda Chapman.
Life of Pi, Fox 2000 Pictures Production; 20th Century Fox. (USA, Taiwan, UK, Canada)
Claudio Miranda.
Anna Karenina, Working Title Films Production; Focus Features. (UK)
Jacqueline Durran.
(Feature)
Searching for Sugar Man, Red Box Films and Passion Pictures in association with Canfield Pictures Production; Sony Pictures Classics. (Sweden, UK, Finland)
Malik Bendjelloul and
Simon Chinn.
(Short Subject)
Inocente, Shine Global Production.
Sean Fine and
Andrea Nix Fine.
Argo, Stage 16 Pictures Production; Warner Bros. (USA, UK)
William Goldenberg.
Amour, Les Films du Losange/X Filme Creative Pool/Wega Film Production; Sony Pictures Classics. (Austria, France, Germany)
Les Misérables, Universal Pictures and Working Title Production; Universal. (UK, USA)
Lisa Westcott and
Julie Dartnell.
(Original Score)
Life of Pi, Fox 2000 Pictures Production; 20th Century Fox. (USA, Taiwan, UK, Canada)
Mychael Danna.
(Original Song)
Skyfall from
Skyfall, Eon Productions Ltd./Metro-Goldwyn-Mayer Pictures/Columbia Pictures Production; Sony Pictures Releasing and Metro-Goldwyn-Mayer. (UK, USA) Music and lyric by
Adele Adkins and
Paul Epworth.
Lincoln, DreamWorks Pictures/20th Century Fox Production; Walt Disney/20th Century Fox. (USA, India) Production design by
Rick Carter; set decoration by
Jim Erickson.
(Animated)
Paperman, Disney Animation Studios Production; Walt Disney.
John Kahrs.
(Live Action)
Curfew, Fuzzy Logic Pictures Production; Ouat Media.
Shawn Christensen.
Skyfall, Eon Productions Ltd./Metro-Goldwyn-Mayer Pictures/Columbia Pictures Production; Sony Pictures Releasing and Metro-Goldwyn-Mayer. (UK, USA)
Per Hallberg and
Karen Baker Landers.
Zero Dark Thirty, Columbia Pictures Production; Sony Pictures Releasing. (USA, United Arab Emirates)
Paul N. J. Ottosson.
Les Misérables, Universal Pictures and Working Title Production; Universal. (UK, USA)
Andy Nelson,
Mark Paterson and
Simon Hayes.
Life of Pi, Fox 2000 Pictures Production; 20th Century Fox. (USA, Taiwan, UK, Canada)
Bill Westenhofer,
Guillaume Rocheron,
Erik-Jan De Boer and
Donald R. Elliott.
(Adapted Screenplay)
Argo, Stage 16 Pictures Production; Warner Bros. (USA, UK) Screenplay by
Chris Terrio.
(Original Screenplay)
Django Unchained, Weinstein Company and Columbia Pictures Production; The Weinstein Company. Written by
Quentin Tarantino.

To
Hal Needham an innovator, mentor and master technician who elevated his craft to an art and made the impossible look easy. [ [Statuette]]

To
D. A. Pennebaker who redefined the language of film and taught a generation of filmmakers to look to reality for inspiration. [ [Statuette]]

To
George Stevens, Jr. a tireless champion of the arts in America and especially that most American of arts: the Hollywood film. [ [Statuette]]
(Academy Award of Merit)

To
Cooke Optics Limited for their continuing innovation in the design, development and manufacture of advanced camera lenses that have helped define the look of motion pictures over the last century.
Since their first series of motion picture lenses, Cooke Optics has continued to create optical innovations decade after decade. Producing what is commonly referred to as the "Cooke Look," these lenses have often been the lens of choice for creative cinematographers worldwide.
(Scientific and Engineering Award)

To
Simon Clutterbuck,
James Jacobs and
Dr. Richard Dorling for the development of the Tissue Physically–Based Character Simulation Framework.
This framework faithfully and robustly simulates the effects of anatomical structures underlying a character’s skin. The resulting dynamic and secondary motions provide a new level of realism to computer–generated creatures.

To
Dr. Philip McLauchlan,
Allan Jaenicke,
John–Paul Smith and
Ross Shain for the creation of the Mocha planar tracking and rotoscoping software at Imagineer Systems Ltd.
Mocha provides robust planar–tracking even when there are no clearly defined points in the image. Its effectiveness, ease of use, and ability to exchange rotoscoping data with other image processing tools have resulted in widespread adoption of the software in the visual effects industry.

To
Joe Murtha,
William Frederick and
Jim Markland of Anton/Bauer, Inc. for the design and creation of the CINE VCLX Portable Power System.
The CINE VCLX provides extended run–times and flexibility, allowing users to power cameras and other supplementary equipment required for production. This high–capacity battery system is also matched to the high–demand, always–on digital cinema cameras.
(Technical Achievement Award)

To
J. P. Lewis,
Matt Cordner and
Nickson Fong for the invention and publication of the Pose Space Deformation technique.
Pose Space Deformation (PSD) introduced the use of novel sparse data interpolation techniques to the task of shape interpolation. The controllability and ease of achieving artistic intent have led to PSD being a foundational technique in the creation of computer–generated characters.

To
Lawrence Kesteloot,
Drew Olbrich and
Daniel Wexler for the creation of the Light system for computer graphics lighting at PDI/DreamWorks.
Virtually unchanged from its original incarnation over 15 years ago, Light is still in continuous use due to its emphasis on interactive responsiveness, final–quality interactive render preview, scalable architecture and powerful user–configurable spreadsheet interface.

To
Steve LaVietes,
Brian Hall and
Jeremy Selan for the creation of the Katana computer graphics scene management and lighting software at Sony Pictures Imageworks.
Katana’s unique design, featuring a deferred evaluation procedural node–graph, provides a highly efficient lighting and rendering workflow. It allows artists to non–destructively edit scenes too complex to fit into computer memory, at scales ranging from a single object up to an entire detailed city.

To
Theodore Kim,
Nils Thuerey,
Markus Gross and
Doug James for the invention, publication and dissemination of Wavelet Turbulence software.
This technique allowed for fast, art–directable creation of highly detailed gas simulation, making it easier for the artist to control the appearance these effects in the final image.

To
Richard Mall for the design and development of the Matthews Max Menace Arm.
Highly sophisticated and well–engineered, the Max Menace Arm is a safe and adjustable device that allows rapid, precise positioning of lighting fixtures, cameras or accessories. On–set or on location, this compact and highly portable structure is often used where access is limited due to restrictions on attaching equipment to existing surfaces.

To
Bill Taylor in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.