Listed below are the Academy Award winners for the year 1959 (non-winning nominations have been omitted from this list). Click on the name of a film, person or song in the list to display more information about that film, person or song Or, click on a year in the column on the right to display the winners from that year.
Ben-Hur, Metro-Goldwyn-Mayer.
Sam Zimbalist, Producer.
Charlton Heston in
Ben-Hur, Metro-Goldwyn-Mayer.
Simone Signoret in
Room at the Top, Romulus Films, Ltd. Production; Continental Distributing, Inc. (UK)
Hugh Griffith in
Ben-Hur, Metro-Goldwyn-Mayer.
Ben-Hur, Metro-Goldwyn-Mayer.
William Wyler.
(Black-and-White)
(Color)
Ben-Hur, Metro-Goldwyn-Mayer. Art direction by
William A. Horning and
Edward Carfagno; set decoration by
Hugh Hunt.
(Black-and-White)
(Color)
Ben-Hur, Metro-Goldwyn-Mayer.
Robert L. Surtees.
(Black-and-White)
Some Like It Hot, Ashton Productions & The Mirisch Company; United Artists.
Orry-Kelly.
(Color)
(Feature)
Serengeti Shall Not Die, Okapia-Film GmbH Production; Transocean-Film. (West Germany)
Bernhard Grzimek, Producer.
(Short Subject)
Glass, The Netherlands Government; George K. Arthur-Go Pictures, Inc. (Netherlands)
Bert Haanstra, Producer.
Black Orpheus, Dispatfilm & Gemma Cinematografica. (Brazil, France, Italy)
(Music Score of a Dramatic or Comedy Picture)
Ben-Hur, Metro-Goldwyn-Mayer.
Miklos Rozsa.
(Scoring of a Musical Picture)
Porgy and Bess, Samuel Goldwyn Productions; Columbia.
Andre Previn and
Ken Darby.
(Song)
High Hopes from
A Hole in the Head, Sincap Productions; United Artists. Music by
James Van Heusen; lyrics by
Sammy Cahn.
(Cartoons)
Moonbird, Storyboard, Inc.; Edward Harrison.
John Hubley, Producer.
(Live Action)
The Golden Fish, Les Requins Associes; Columbia. (France)
Jacques-Yves Cousteau, Producer.
Ben-Hur, Metro-Goldwyn-Mayer. Visual effects by
A. Arnold Gillespie and
Robert MacDonald; audible effects by
Milo Lory.
(Screenplay—based on material from another medium)
Room at the Top, Romulus Films, Ltd. Production; Continental Distributing, Inc. (UK)
Neil Paterson.
(Story and Screenplay—written directly for the screen)
Pillow Talk, Arwin Productions; Universal-International. Story by
Russell Rouse and
Clarence Greene; screenplay by
Stanley Shapiro and
Maurice Richlin.

To
Lee De Forest for his pioneering inventions which brought sound to the motion picture. [ [Statuette]]

To
Buster Keaton for his unique talents which brought immortal comedies to the screen. [ [Statuette]]
(Class II)

To
Douglas G. Shearer of Metro-Goldwyn-Mayer, Inc., and
Robert E. Gottschalk and
John R. Moore of Panavision, Inc. for the development of a system of producing and exhibiting wide-film motion pictures known as Camera 65.

To
Wadsworth E. Pohl,
Jack Alford,
Henry Imus,
Joseph Schmit,
Paul Fassnacht,
Al Lofquist and
Technicolor Corp., for the development and practical application of equipment for wet printing.

To
Dr. Howard S. Coleman,
Dr. A. Francis Turner,
Harold H. Schroeder,
James R. Benford and
Harold E. Rosenberger of the Bausch & Lomb Optical Co. for the design and development of the Balcold Projection Mirror.

To
Robert P. Gutterman of General Kinetics, Inc. and
Lipsner-Smith Corp. for the design and development of the CF-2 Ultra-sonic Film Cleaner.
(Class III)

To
Ub Iwerks of Walt Disney Prods. for the design of an improved optical printer for special effects and matte shots.

To
E. L. Stones,
Glen Robinson,
Winfield Hubbard and
Luther Newman of the Metro-Goldwyn-Mayer Studio Construction Department for the design of a multiple cable remote controlled winch.