Listed below are the Academy Award winners for the year 1973 (non-winning nominations have been omitted from this list). Click on the name of a film, person or song in the list to display more information about that film, person or song Or, click on a year in the column on the right to display the winners from that year.
The Sting, Universal-Bill/Phillips-George Roy Hill Film Production; Zanuck/Brown Presentation; Universal.
Tony Bill,
Michael Phillips and
Julia Phillips, Producers.
Jack Lemmon in
Save the Tiger, Filmways-Jalem-Cirandinha Productions; Paramount.
Glenda Jackson in
A Touch of Class, Brut Productions; Avco Embassy. (UK)
John Houseman in
The Paper Chase, Thompson-Paul Productions; 20th Century-Fox.
Tatum O’Neal in
Paper Moon, A Directors Company Production; Paramount.
The Sting, Universal-Bill/Phillips-George Roy Hill Film Production; Zanuck/Brown Presentation; Universal.
George Roy Hill.
The Sting, Universal-Bill/Phillips-George Roy Hill Film Production; Zanuck/Brown Presentation; Universal. Art direction by
Henry Bumstead; set decoration by
James Payne.
Cries and Whispers, Svenska Filminstitutet-Cinematograph AB Production; New World Pictures. (Sweden)
Sven Nykvist.
The Sting, Universal-Bill/Phillips-George Roy Hill Film Production; Zanuck/Brown Presentation; Universal.
Edith Head.
(Feature)
The Great American Cowboy, Kieth Merrill Associates-Rodeo Film Productions.
Kieth Merrill, Producer.
(Short Subject)
The Sting, Universal-Bill/Phillips-George Roy Hill Film Production; Zanuck/Brown Presentation; Universal.
William Reynolds.
Day for Night, Les Films Du Carrosse-P.E.C.F. (Paris)-P.I.C. (Rome) Production; Warner Bros. (France, Italy)
(Original Dramatic Score)
The Way We Were, Rastar Productions; Columbia.
Marvin Hamlisch.
(Scoring: Original Song Score and Adaptation -or- Scoring: Adaptation)
The Sting, Universal-Bill/Phillips-George Roy Hill Film Production; Zanuck/Brown Presentation; Universal. Adaptation score by
Marvin Hamlisch.
(Song)
The Way We Were from
The Way We Were, Rastar Productions; Columbia. Music by
Marvin Hamlisch; lyrics by
Alan and
Marilyn Bergman.
(Animated)
Frank Film, Frank Mouris Production.
Frank Mouris, Producer.
(Live Action)
The Bolero, Allan Miller Production.
Allan Miller and
William Fertik, Producers.
The Exorcist, Hoya Productions; Warner Bros.
Robert Knudson and
Chris Newman.
(Screenplay—based on material from another medium)
The Exorcist, Hoya Productions; Warner Bros.
William Peter Blatty.
(Story and Screenplay—based on factual material or material not previously published or produced)
The Sting, Universal-Bill/Phillips-George Roy Hill Film Production; Zanuck/Brown Presentation; Universal.
David S. Ward.

To
Henri Langlois for his devotion to the art of film, his massive contributions in preserving its past, and his unswerving faith in its future. [ [Statuette]]

To
Groucho Marx in recognition of his brilliant creativity and for the unequaled achievements of the Marx Brothers in the art of motion picture comedy. [ [Statuette]]
(Class II)

To
Joachim Gerb and
Erich Kastner of The Arnold and Richter Company for the development and engineering of the Arriflex 35BL motion picture camera.

To
Magna-Tech Electronic Co., Inc. for the engineering and development of a high-speed re-recording system for motion picture production.

To
William W. Valliant of PSC Technology Inc.,
Howard F. Ott of Eastman Kodak Company, and
Gerry Diebold of The Richmark Camera Service Inc. for the development of a liquid-gate system for motion-picture printers.

To
Harold A. Scheib,
Clifford H. Ellis and
Roger W. Banks of Research Products Incorporated for the concept and engineering of the Model 2101 optical printer for motion picture optical effects.
(Class III)

To
Rosco Laboratories, Inc. for the technical advances and the development of a complete system of light-control materials for motion picture photography.

To
Richard H. Vetter of Todd-AO Corporation for the design of an improved anamorphic focusing system for motion picture photography.