The Dark Angel, Samuel Goldwyn Productions; United Artists.
Richard Day.
Dave Gould for the “
I’ve Got a Feeling You’re Fooling” number from
Broadway Melody of 1936, Metro-Goldwyn-Mayer; and the “
Straw Hat” number from
Folies Bergere, 20th Century; United Artists.
Three Orphan Kittens, Walt Disney Productions; United Artists. [Silly Symphony Series]
Walt Disney, Producer.
How to Sleep, Metro-Goldwyn-Mayer. [Miniature Series]
Jack Chertok, Producer.
Wings over Mt. Everest, Gaumont British and Skibo Productions; Educational. [Special Series]

To
David Wark Griffith, for his distinguished creative achievements as director and producer and his invaluable initiative and lasting contributions to the progress of motion picture arts. [Statuette]

To
Agfa Ansco Corporation for their development of the Agfa infra-red film.

To
Eastman Kodak Company for their development of the Eastman Pola-Screen.

To
Metro-Goldwyn-Mayer Studio for the development of anti-directional negative and positive development by means of jet turbulation, and the application of the method to all negative and print processing of the entire product of a major producing company.

To
William A. Mueller of Warner Bros.-First National Studio Sound Department for his method of dubbing, in which the level of the dialog automatically controls the level of the accompanying music and sound effects.

To
Mole-Richardson Company for their development of the “Solar-spot” spot lamps.

To
Douglas Shearer and
Metro-Goldwyn-Mayer Studio Sound Department for their automatic control system for cameras and sound recording machines and auxiliary stage equipment.

To
Electrical Research Products, Inc. for their study and development of equipment to analyze and measure flutter resulting from the travel of film through the mechanisms used in the recording and reproduction of sound.

To
Paramount Productions, Inc. for the design and construction of the Paramount transparency air turbine developing machine.

To
Nathan Levinson, Director of Sound Recording for Warner Bros.-First National Studio, for the method of intercutting variable density and variable area sound tracks to secure an increase in the effective volume range of sound recorded for motion pictures.