Listed below are the Academy Award winners for the year 1991 (non-winning nominations have been omitted from this list). Click on the name of a film, person or song in the list to display more information about that film, person or song Or, click on a year in the column on the right to display the winners from that year.
The Silence of the Lambs, Strong Heart/Demme Production; Orion.
Edward Saxon,
Kenneth Utt and
Ron Bozman, Producers.
Anthony Hopkins in
The Silence of the Lambs, Strong Heart/Demme Production; Orion.
Jodie Foster in
The Silence of the Lambs, Strong Heart/Demme Production; Orion.
Jack Palance in
City Slickers, Castle Rock Entertainment Production; Columbia.
Mercedes Ruehl in
The Fisher King, TriStar Pictures Production; TriStar.
The Silence of the Lambs, Strong Heart/Demme Production; Orion.
Jonathan Demme.
Bugsy, TriStar Pictures Production; TriStar. Art direction by
Dennis Gassner; set decoration by
Nancy Haigh.
JFK, Camelot Production; Warner Bros. (France, USA)
Robert Richardson.
Bugsy, TriStar Pictures Production; TriStar.
Albert Wolsky.
(Feature)
In the Shadow of the Stars, Light-Saraf Films Production.
Allie Light and
Irving Saraf, Producers.
(Short Subject)
JFK, Camelot Production; Warner Bros. (France, USA)
Joe Hutshing and
Pietro Scalia.
Mediterraneo, Pentafilm S.p.A./A.M.A. Film S.r.l. Production. (Italy)
(Original Score)
Beauty and the Beast, Walt Disney Pictures Production; Buena Vista.
Alan Menken.
(Original Song)
Beauty and the Beast from
Beauty and the Beast, Walt Disney Pictures Production; Buena Vista. Music by
Alan Menken; lyric by
Howard Ashman.
(Animated)
Manipulation, Tandem Films Production. (UK)
Daniel Greaves.
(Live Action)
(Screenplay Based on Material Previously Produced or Published)
The Silence of the Lambs, Strong Heart/Demme Production; Orion.
Ted Tally.
(Screenplay Written Directly for the Screen)
Thelma & Louise, Pathe Entertainment Production; Metro-Goldwyn-Mayer. (USA, UK, France)
Callie Khouri.

To
Satyajit Ray, in recognition of his rare mastery of the art of motion pictures, and of his profound humanitarian outlook, which has had an indelible influence on filmmakers and audiences throughout the world. [ [Statuette]]

To
Pete Comandini,
Richard T. Dayton,
Donald Hagans and
Richard T. Ryan of YCM Laboratories for the creation and development of a motion picture film restoration process using liquid gate and registration correction on a contact printer. [ [Special Plaque]]

To
Richard J. Stumpf and
Joseph Westheimer for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. [ [Medal of Commendation]]
(Scientific and Engineering Award)

To
Iain Neil for the optical design;
Albert Saiki for the mechanical design; and
Panavision, Incorporated, for the concept and development of the Primo Zoom Lens for 35mm cinematography.

To
Georg Thoma for the design;
Heinz Feierlein and the
Engineering Department of Sachtler AG for the development of a range of fluid tripod heads.

To
Harry J. Baker for the design and development of the first full fluidaction tripod head with adjustable degrees of viscous drag.

To
Guido Cartoni for his pioneering work in developing the technology to achieve selectable and repeatable viscous drag modules in fluid tripod heads.

To
Ray Feeney,
Richard Keeney and
Richard J. Lundell for the software development and adaptation of the Solitaire Film Recorder that provides a flexible, cost-effective film recording system.

To
Faz Fazakas,
Brian Henson,
Dave Housman,
Peter Miller and
John Stephenson for the development of the Henson Performance Control System.

To
Mario Celso for his pioneering work in the design, development and manufacture of equipment for carbon arc and xenon power supplies and igniters used in motion picture projection.

To
George Worrall for the design, development and manufacture of the Worrall geared camera head for motion picture production.
(Technical Achievement Award)

To
Robert W. Stoker, Jr., for the design and development of a cobweb gun, for applying non-toxic cobweb effects on motion picture sets with both safety and ease of operation.

To
James Doyle for the design and development of the Dry Fogger, which uses liquid nitrogen to produce a safe, dense, low-hanging fog effects.

To
Dick Cavdek,
Steve Hamerski and
Otto Nemenz International, Incorporated, for the opto-mechanical design and development of the Canon/Nemenz Zoom Lens.

To
Ken Robings and
Clairmont Camera for the opto-mechanical design and development of the Canon/Clairmont Camera Zoom Lens.

To
Century Precision Optics for the opto-mechanical design and development of the Canon/Century Precision Optics Zoom Lens.