Listed below are the Academy Award winners for the year 1995 (non-winning nominations have been omitted from this list). Click on the name of a film, person or song in the list to display more information about that film, person or song Or, click on a year in the column on the right to display the winners from that year.
Braveheart, Icon Productions/Ladd Company Production; Paramount.
Mel Gibson,
Alan Ladd, Jr. and
Bruce Davey, Producers.
Nicolas Cage in
Leaving Las Vegas, Initial Productions; MGM/UA. (France, UK, USA)
Susan Sarandon in
Dead Man Walking, Working Title/Havoc Production; Gramercy Pictures. (UK, USA)
Kevin Spacey in
The Usual Suspects, Blue Parrot Production; Gramercy Pictures. (USA, Germany)
Mira Sorvino in
Mighty Aphrodite, Sweetheart Production; Miramax Films.
Braveheart, Icon Productions/Ladd Company Production; Paramount.
Mel Gibson.
Restoration, Segue Productions/Avenue Pictures in association with Oxford Film Company Production; Miramax Films. (USA, UK)
Eugenio Zanetti.
Braveheart, Icon Productions/Ladd Company Production; Paramount.
John Toll.
Restoration, Segue Productions/Avenue Pictures in association with Oxford Film Company Production; Miramax Films. (USA, UK)
James Acheson.
(Feature)
Anne Frank Remembered, Jon Blair Film Company Limited Production; Sony Pictures Classics. (UK, USA, Netherlands)
Jon Blair.
(Short Subject)
One Survivor Remembers, Home Box Office and The United States Holocaust Memorial Museum Production.
Kary Antholis.
Apollo 13, Imagine Entertainment and Universal Pictures Production; Universal.
Mike Hill and
Dan Hanley.
Antonia’s Line, Bergen Theatre-Film-Television Production; First Look Pictures. (Netherlands, Belgium, UK, France)
Braveheart, Icon Productions/Ladd Company Production; Paramount.
Peter Frampton,
Paul Pattison and
Lois Burwell.
(Original Dramatic Score)
The Postman (Il Postino), Cecchi Gori Group Tiger Cinematografica Production/Pentafilm/Esterno Mediterraneo/Blue Dahlia Production; Miramax Films. (Italy, France, Belgium)
Luis Enrique Bacalov.
(Original Musical or Comedy Score)
Pocahontas, Walt Disney Pictures Production; Buena Vista. Music by
Alan Menken; lyrics by
Stephen Schwartz; orchestral score by
Alan Menken.
(Original Song)
Colors of the Wind from
Pocahontas, Walt Disney Pictures Production; Buena Vista. Music by
Alan Menken; lyric by
Stephen Schwartz.
(Animated)
A Close Shave, Aardman Animations Limited Production. (UK)
Nick Park.
(Live Action)
Apollo 13, Imagine Entertainment and Universal Pictures Production; Universal.
Rick Dior,
Steve Pederson,
Scott Millan and
David MacMillan.
Braveheart, Icon Productions/Ladd Company Production; Paramount.
Lon Bender and
Per Hallberg.

To
John Lasseter for his inspired leadership of the Pixar
Toy Story team, resulting in the first feature-length computer-animated film.
Babe, Kennedy Miller Pictures Production; Universal. (Australia, USA)
Scott E. Anderson,
Charles Gibson,
Neal Scanlan and
John Cox.
(Screenplay Based on Material Previously Produced or Published)
Sense and Sensibility, Mirage Production; Columbia. (USA, UK)
Emma Thompson.
(Screenplay Written Directly for the Screen)
The Usual Suspects, Blue Parrot Production; Gramercy Pictures. (USA, Germany)
Christopher McQuarrie.

To
Kirk Douglas for fifty years as a creative and moral force in the motion picture community. [ [Statuette]]

To
Chuck Jones for the creation of classic cartoons which have brought worldwide joy for more than half a century. [ [Statuette]]
(Scientific and Engineering Award)

To
Arnold and Richter Cine Technik for the development of the Arriflex 535 Series of cameras for motion picture cinematography.

To
Digital Theater Systems for the design and development of the DTS Digital Sound System for motion picture exhibition.

To
Dolby Laboratories for the design and development of the SR-D Digital Sound System for motion picture exhibition.

To
Sony Corporation for the design and development of the SDDS Digital Sound System for motion picture exhibition.

To
Howard Flemming and
Ronald Uhlig for their pioneering work leading to motion picture digital sound.

To
Ronald C. Goodman,
Attila Szalay,
Steven Sass and
SpaceCam Systems, Inc. for the design of the SpaceCam gyroscopically stabilized Camera System.

To
Colin Mossman,
Joe Wary,
Hans Leisinger,
Gerald Painter and
Deluxe Laboratories for the design and development of the Deluxe Quad Format Digital Sound Printing Head.

To
David Gilmartin,
Johannes Borggrebe,
Jean-Pierre Gagnon,
Frank Ricotta and
Technicolor, Inc. for the design and development of the Technicolor Contact Printer Sound Head.

To
Iain Neil for the optical design;
Rick Gelbard for the mechanical design;
Eric Dubberke for the engineering and
Panavision International, L.P. for the development of the Primo 3:1 Zoom Lens.

To
Martin S. Mueller for the design and development of the MSM 9801 IMAX 65mm/15 perf production motion picture camera.

To
Alvy Ray Smith,
Ed Catmull,
Thomas Porter and
Tom Duff for their pioneering inventions in Digital Image Compositing.
(Technical Achievement Award)

To
Pascal Chedeville for the design of the L.C. Concept Digital Sound System for motion picture exhibition.

To
James Deas of the Warner Bros. Studio Facility for the design and subsequent development of an Automated Patchbay and Metering System for motion picture sound transfer and dubbing operations.

To
Clay Davis and
John Carter of Todd AO for their pioneering efforts in creating an Automated Patchbay System for motion picture sound transfer and dubbing operations.

To
Al Jensen,
Chuck Headley,
Jean Messner and
Hazem Nabulsi of CEI Technology for producing a self-contained, flicker-free Color Video-Assist Camera.

To
Peter Denz of Präzisions-Entwicklung Denz for developing a flicker-free Color Video-Assist Camera.

To
David Pringle and
Yan Zhong Fang for the design and development of “Lightning Strikes,” a flexible, high-performance electronic lightning effect system.

To
BHP, Incorporated for their pioneering efforts in developing Digital Sound Printing Heads for motion pictures.

To
Joe Finnegan (a.k.a. Joe Yrigoyen) for his pioneering work in developing the Air Ram for motion picture stunt effects.

To
Gary Demos,
David Ruhoff,
Dan Cameron and
Michelle Feraud for their pioneering efforts in the creation of the Digital Productions Digital Film Compositing System.

To
Douglas Smythe,
Lincoln Hu,
Douglas S. Kay and
Industrial Light and Magic for their pioneering efforts in the creation of the ILM Digital Film Compositing System.

To the
Computer Film Company for their pioneering efforts in the creation of the CFC Digital Film Compositing System.

To
Institut National Polytechnique de Toulouse for the concept;
Kodak Pathe CTP Cine for the prototype; and
Eclair Laboratories and
Martineau Industries for the development and further implementation of the Toulouse Electrolytic Silver Recovery Cell.